{"id":2522,"date":"2020-06-23T01:31:13","date_gmt":"2020-06-22T23:31:13","guid":{"rendered":"http:\/\/john-oscanlan.fr\/?page_id=2522"},"modified":"2026-01-31T01:30:50","modified_gmt":"2026-01-31T00:30:50","slug":"textes-poetiques","status":"publish","type":"page","link":"https:\/\/john-oscanlan.fr\/?page_id=2522","title":{"rendered":"Textes po\u00e9tiques"},"content":{"rendered":"
\t\t\t

Chaque texte po\u00e9tique est n\u00e9 pour une sculpture et ne peut se passer d\u2019elle.
\nIl habille son image d\u2019une robe de mots, \u00e0 la fois interpr\u00e9tation, accompagnement et autre cr\u00e9ation, qui lui restent parall\u00e8les; parfois explicitation, jamais explication.<\/p>\n

L’image pr\u00e9sente, les mots d\u00e9signent, \u00e0 chacun de reconstruire le sens !<\/p>\n

L\u2019interpr\u00e9tation est la mienne, maintenant celle du spectateur toujours renouvel\u00e9 et presque comme un autre, d’un objet dont la cr\u00e9ation remonte de quelques semaines \u00e0 plusieurs dizaines d’ann\u00e9es.<\/p>\n

Le temps, aussit\u00f4t, fait son jeu de la m\u00e9moire, des sensations et des id\u00e9es.
\nChaque nouveau regard recr\u00e9e, jamais tout \u00e0 fait \u00e0 l\u2019identique, la r\u00e9alit\u00e9 et l\u2019acception de cette \u0153uvre achev\u00e9e, que l’on voulait croire stable, fig\u00e9e m\u00eame !<\/p>\n

L’id\u00e9e, elle, comme un ballet de papillons que l’\u00e9criture ne peut, au mieux (ou au pire), que tenter d’\u00e9pingler, poursuit son vol !<\/p>\n

 <\/p>\n

 <\/p>\n

… D’autres po\u00e8mes ont suivi.<\/p>\n<\/div>\n\t\t<\/div>

\t\n\t\t
\n\t

Po\u00e8mes associ\u00e9s aux sculptures<\/h3>\t\t
\n\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n
\n\t\t
\n\t\t\n\t\t\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\t(R)R\u00e9volution ?\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tA corps perdu\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tA moiti\u00e9 folle\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tCadre, cadre moyen, cadre sup\u00e9rieur\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tChacun chez soi\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tD\u00e9cadrage\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tDroit a la diff\u00e9rence, droit \u00e0 l’indiff\u00e9rence\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tEmporte pi\u00e8ces\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tEn avant la musique – glissando\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tEncha\u00eenements\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t<\/div>\n\t\t\n\t<\/div>\n<\/div><\/div><\/div>
\t\t\t

En ouvrant un premier texte puis en cliquant sur le titre de la rubrique de sa page (ex: Autres po\u00e8mes) vous pouvez les lire tous \u00e0 la suite.<\/p>\n<\/div>\n\t\t<\/div><\/div>

\t\n\t\t
\n\t

Autres po\u00e8mes<\/h3>\t\t
\n\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n
\n\t\t
\n\t\t\n\t\t\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tA mes ruines\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\t\u00c2me bleue\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tArrestation\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tAu pied de la marche\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tCiel ! un nuage\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tFil de soi, fils du monde\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tIcil\u00e0-bashaut\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tLe chant des signes\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tLe poids du silence\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t

\n\t\t\t\n\n\t\t\t\tMal de mer, mal d’aimer\t\t\t<\/a>\n\t\t<\/h3>\n\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t<\/div>\n\t\t\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Chaque texte po\u00e9tique est n\u00e9 pour une sculpture et ne peut se passer d\u2019elle. Il habille son image d\u2019une robe de mots, \u00e0 la fois interpr\u00e9tation, accompagnement et autre cr\u00e9ation, qui lui restent parall\u00e8les; parfois explicitation, jamais explication. L’image pr\u00e9sente, les mots d\u00e9signent, \u00e0 chacun de reconstruire le sens ! L\u2019interpr\u00e9tation est la mienne, maintenant … <\/p>\n

Continuer la lecture de « Textes po\u00e9tiques »<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_sitemap_exclude":false,"_sitemap_priority":"","_sitemap_frequency":"","footnotes":""},"class_list":["post-2522","page","type-page","status-publish","hentry"],"yoast_head":"\nTextes po\u00e9tiques - John O'SCANLAN - \u0153uvres<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/john-oscanlan.fr\/?page_id=2522\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Textes po\u00e9tiques - John O'SCANLAN - \u0153uvres\" \/>\n<meta property=\"og:description\" content=\"Chaque texte po\u00e9tique est n\u00e9 pour une sculpture et ne peut se passer d\u2019elle. Il habille son image d\u2019une robe de mots, \u00e0 la fois interpr\u00e9tation, accompagnement et autre cr\u00e9ation, qui lui restent parall\u00e8les; parfois explicitation, jamais explication. L'image pr\u00e9sente, les mots d\u00e9signent, \u00e0 chacun de reconstruire le sens ! 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